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Phil Kafcaloudes

1. what first inspired you to become a drummer?

My brother Terry was a pop singer in Sydney and groups like the Atlantics and the Delltones used to come around to chat and jam. I loved the sparkle and pearl coverings on the drums. I was also fascinated by Ringo: the snoz, the head-shaking, the flat cymbals. I remember Terry played a gig on Bondi beach, and 8 year old me played along with my little bongo on the forecourt step in front of thousand of people. My first audience. Terry later organised Derek Fairbrass (a well known 1970s session drummer to teach me).

2. anything that you’ve learnt along the way that’s really helped you as a drummer?

So much. It's not about biceps, it's about using the wrist and forearms. Close your eyes and feel the piece. Lay back on the seat and don't get too intense. Also resist the urge to hate the lead guitarist,( just know that they're all like that...)

3. who have you and/or who are you playing with at the moment and what are the bands movements? Anything to plug?

Am just studying right now. Just left a band. Looking for the next blues baby. Am studying the djembe. Amazing how it crosses over with the kit.

4. what gear are you using at present?

Sonor Phonic circa 1982 (the same as Phil Rudd's Back in Black monster. I bought it new with meagre savings from working at Sydney's Flemington markets. First gig with it was supporting the Cockroaches which went on to become the Wiggles). Also using a fabulous Traps set-up in the studio for practice. Also a Yamaha DTX electronic. Have always used Zildjians, but Steve has seduced me into fantastic cymbals from Bosphorus and a really really good Stagg China cymbal

5. what would be your dream gig?

Midnight oil. They have it all: heart, attitude and fun.

6. favourite drummers and/or bands and why?

Simon Kirke from Free (major blues stickman. His hi-hat and snare shuffles are wonderful. His best work on the album Highway when he was a wee lad)

Stewart Copeland from the Police (brought the hi-hat back into the sphere of art)

Ian Paice from Deep Purple (a jazz player who rocks. Check out Livin' Wreck for snazzy bass/snare interplay; Fireball for just being Fireball (I'm nearly there with it after 30+ years); and Wring that Neck live at the Albert Hall 1999 album)

John Bonham from Led Zep for being cool enough to leave spaces

Rob Hirst from Midnight Oil for applying soul and energy (check out the electronics on Power and the Passion)

 

Ben Rankins

1. what first inspired you to become a drummer?

Probably my uncle who wasn't actually a drummer,but was obsessed by the drums & drummers. I can remember he would have his drummer mates' kits set up at my grandparents place all the time. He also had an incredible collection of vinyl. So I was always around drums & music. Either that or maybe it was me wanting to be a tap dancer when I was in pre-school.


2. anything that you’ve learnt along the way that’s really helped you as a drummer?


The best thing I have learnt is to stay out of the way. What I mean is that you should play what's best for the song instead of it being a showcase for how many tricks you can do in 3-4 minutes. Definitely try to do something interesting but don't dominate the song & leave space for the other players. How many people dance to a drum solo?


 3. who have you and/or who are you playing with at the moment and what are the bands movements?


   Anything to plug?


I've been playing in Push Button Auto for almost ten years now and we were lucky enough to get a Vic Rocks Arts grant last year to record our fourth album. We have just finished mixing at the wonderful Sing Sing studios and if eveything goes to plan it should be out in the second half of the year. So we'll start playing shows again around the same time. In the mean time if you want to see what we're about check out:


http://www.pushbuttonauto.com/


http://www.myspace.com/pushbuttonauto


 4. what gear are you using at present?


A Tama Swingstar 4 piece which i think is from around the mid to late 70's. I have replaced all of the hardware over the years for much sturdier stuff which is a mixed bag of whatever Revolver Steve had on sale at the time. I have two Bosphorus Traditional Series crashes,Sabian B8pro Heavy hats & a Zildjian heavy crash I use for a ride. On the recordings I did this year I used my cousins kit which I'm pretty sure is the 2006-7 version of mine. He just had different size tom's, a kick with more depth & a maple snare which I thought would be a nice change as I've used my old kit with various cymbal set ups on most of the other recordings I've done.


5. what would be your dream gig?


One where I don't have to set up or pack up, I get  paid well, have a generous  rider  & play so good that other bands want to retire from music & think of something new to do


6. favourite drummers and/or bands and why?


First of all I admire anyone who gets up on stage of any ability and puts everything they have into it, but here is a short list from the very long list of some of my favourites:


Steven Drozd & Kliph Scurlock(Flaming Lips), Brendan Canty (Fugazi/Bob Mould), Rich Andrew (Black Cab), Adam Newey (The Fauves), Lindy Morrison (Go-Betweens), Georgia Hubley (Yo La Tengo), Thomas Wydler (Nick Cave/Die Haut), Steve Shelley (Sonic Youth), Steve West,Bob Nostanovich & Gary Young (Pavement), Jaki Liebezeit (Can), David Lovering (Pixies), Klaus Dinger (Neu!), George Hurley (Minutemen/Firehose), Mimi Parker (Low), Mac McNeilly (The Jesus Lizard), Mark Price (Archers Of Loaf), Jez (Swervedriver), Stephen Morris(Joy Division/New Order), Billy Ficca (Television), Topper Headon (The Clash), Kenny Jones (Small Faces/The Faces), Dennis Thompson (MC5), anyone who played drums/percussion for James Brown, Funkadelic/Parliament, Neil Young, Tom Waits, Coltrane, Miles, Howlin' Wolf, Muddy Waters, Johnny Cash, Sun Ra, Pharoah Sanders, The Cramps, Motown & Stax house bands, all drummers from the following scenes/era's: 60's-70's Reggae/Ska/Dub/Rocksteady, 70's Punk, 80's Hardcore, New Wave, No-Wave, 40's-70's Jazz, 50's-60's Country, 80's-90's Hip-Hop, Krautrock, 80's-90's Electronic/Dance, 60's Psychedelic, all era's of Messy Garage Scuzz, 50's Rockabilly and of course Ringo,Charlie & Keith. Basically anyone who has made some noise.

 

 

Steven Martin

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1. what first inspired you to become a drummer?


My brother was always a keyboard player. I thought he got all the musical genes in the family. When I was in primary school, he had a little band that would gather in the bungalow at the back of our house. The drummer would get driven over by his Dad, and I'd watch as they loaded in this bright blue kit. At that point, I wished I could play drums.

A few years later, my daily homeroom call at school was in the music room. One of my best mates was learning the drums and I wanted in on the action  I'd get to school early and have a quick 10 minutes on the drums each morning. It was there that I figured out how to play The Smashing Pumpkins' "1979" - it was the first song that clicked with me - I could hear how a drumbeat slotted together. So from there, I just taught myself.


 
2. anything that you’ve learnt along the way that’s really helped you as a drummer?


That I should have probably gone and got some real lessons!  Just about everything I've learned about drumming has been self-taught. Lessons would have taught me discipline and theory, but I enjoyed playing more than anything.


 
3. who have you and/or who are you playing with at the moment and what are the bands movements?


   Anything to plug?


At the moment (and for the foreseeable future) I'm playing in a band called Matheson. We've just released an album called 'These Are My Horses'. We're playing shows across Melbourne to support the release, too. The next one is at Spenserslive on Saturday May 15.  I can't imagine playing in any other band right now. We just have too much fun.   


We've been quite a few places, too. We've played the Woodford Folk Festival, played at the Melbourne Zoo's Twighlight sessions, and played with some top acts like The Panics, The Whitlams and Paul Kelly.


Plus, I played in a band called Krafty back in high school. We rocked. There's talk of a reunion!   


4. what gear are you using at present?


I've only ever had two kits. For the first 5 years of my playing career, I didn't have a kit!  My first kit was by a company called DRAGON. I bought it from a mate for $200, complete with cymbals and stands. I loved that thing. I scratched off the A in DRAGON on the kick resonator. That left me with a skin that read DR. GON. I've vowed to one day form a band by that name. One day...


But now, I play a Tama Rockstar that I bought off another mate (the one I mentioned earlier who was learning drums). So the kit is probably 11 years old now. It's got a 22" kick, 10" rack tom, 14" floor tom, 14" x 5.5" snare and the cymbals are a mix of things I've collected that I think sound great. I'm on a never-ending quest to find the perfect ride cymbal. It just means I end up collecting rather than trading.


Plus, I'm expanding the range by playing Glockenspeil/keyboards and a bunch of other percussion.


5. what would be your dream gig?


I'd love to be in a backing band for Neil Young at Glastonbury or something equally large. Or I'd like to have BEEN Dave Grohl. He's seen his fair share of cracking gigs in his time.


 
6. favourite drummers and/or bands and why?


Dave Grohl (from all sorts of groups) - he can slot into all sorts of styles, and he's just darned good.  


Glenn Kotche (Wilco) - He's inventive.  Hear him on record and it can sound simple, but watch him play and you realise he's playing so much more (ghost notes and cross-rhythms).  His sound selection is incredible, too.  Really dry sounding gear.


Clint Hyndman (Something For Kate) - Plays with such power.  Some of the patterns he created on the SFK records are amazing.  I reckon I can play 'Elsewhere for 8 minutes' on drums, start to finish - I've listened to and practiced along to that record so much.
 

Danny Young

1. what first inspired you to become a drummer?
 
Two things maybe. First my Dad had played drums when he was younger, although he never had a kit around home there was a snare drum in the shed. Then when i was about            15, I was at my friends house. He played guitar and his brother played drums. So I had a bash on his brothers kit. From then I was keen and my Dad bought a Dolphin kit and             taught me, playing along to Daddy Cool.
 
2. anything that you’ve learnt along the way that’s really helped you as a drummer?
 
Keep it simple to begin with. It wasn’t so much about lessons for me, I did them for about 6 months. It was jamming with friends as often as we could. We would progress together. They would get better at guitar and I would be getting better a drumming trying to keep up.
 
3. who have you and/or who are you playing with at the moment and what are the bands movements? 
   Anything to plug?
 
I played mostly in fast hardcore or grindcore bands, although I was always into rock n roll. I was doing that on and off up until we started in 2004 the band im in now, Eddy Current Suppression Ring. Although its not as fast, I still get everything I need out of this band. My brother is on guitar and the other two guys are the best to be in a band with.
 
4. what gear are you using at present?
 
an old Rogers late 60’s kit. 20” kick, Dynasonic snare, floor tom, Sabian 21” Hand HammeredRaw bell dry ride and Zildjian New Beat hi hats, which have lasted for 10 years or so now. I keep it simple, and less to carry.
 
 
5. what would be your dream gig?
Been done. Everything from The Avenue house party in Windsor to Headlining Meredith last year.
 
6. favourite drummers and/or bands and why?
 
Mitch Mitchell(Jimi Hendrix Experience), Phil Rudd(ACDC), Michael Shrieve(early Santana, check Soul Sacrifice at Woodstock) and Pete Sandoval(Morbid Angel, Terrorizer)
 

Ingrid Martini

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1. what first inspired you to become a drummer?

I think the first time I became inspired was at a very early age. Most probably at the time I figured out my Mum's pots and pans sounded great, when you hit them really hard with metal spoons. I can only imagine what my poor family went through, I was age 3. And then whenever there was a kit around growing up, it would seem to draw me toward it, much like a moth to a flame, or a tractor-beam. That has never changed. In 1988, when I was 10 or 11, my Sister started taking lessons at High School (we were country kids, lessons were unheard of). She came home once a week, and would teach me what she had learnt. She stopped playing soon after, and I kept practising. Mainly to late 80's cheesy pop compilation tapes I would collect as a kid, studying many drummers and styles at once, unintentionally. Then I got real lessons and played at the School when I attended myself in the early 90's... So actually, I suppose my Sister inspired me! Fancy that!

 
2. anything that you’ve learnt along the way that’s really helped you as a drummer?

The amazing collection of rudiments and drum solos that are available on youtube! - thats whats helped me as a drummer lately. Great for when you get into a rut, and so easy to play and practice to (not so much the solos, the rudiments!). Much more fun than the old book I used to have as a pre-teen. Before I got my hands on that "Rock Drumming" book, I didn't know what "Rudiments" were. I used maths paper that I had gridded into long boxes with ball-point pen and fluro, that resembled some kind of chart, with crosses in patterns that made total sense to me. Helped me to remember all my favourite (crappy pop) songs on cassette, that I was trying to learn at the time. God bless that old tape-deck, where ever it may be.

 
3. who have you and/or who are you playing with at the moment and what are the bands movements?

Ive been in A LOT of bands over the last 20 years. In 1997 I joined a female band called "M'juica" in Christchurch, New Zealand. That band brought me to Melbourne via Auckland. We managed to land some good shows while we were here with Aussie bands like Six Ft Hick and Cog, before disbanded in 2001. Only 6 months after arriving. We went our separate ways in a new country. It wasn't long before I founded a band called "K Road Queens" with my good friend Derek Spencer Richards. He also fronted the band "Dr Invisiablo". We always talk about reforming K Rd, so watch out for us in the future! Currently, I'm playing with a band called "Ross Royce"'. We are about to embark on a US Tour in July this year. You can hear Ross Royce and learn more on our facebook fan page, or myspace www.myspace.com/rossroyce  


4. what gear are you using at present?

I'm using a Gretsch Blackhawk at the moment. For a lower range Gretsch, you'd be surprised how phat it sounds. It actually sounds bigger than my last kit which was a Pearl Session Series. But lets face it, you cant really go wrong with Grestch! Ive always wanted a Vintage Ludwig though. I used to be a Zyljian girl, but over the years I've broadened my range, with the addition of Bosphorus and Sabian. I also use 5AL size sticks, Promark 747s mainly (due to the fact I have short girlie arms and need the extra inch of reach!).

 
5. what would be your dream gig?

I would love to play in front of 2000+ people again, what an amazing feeling! All I really remember is a "sea of faces". I've done it once in Christchurch before leaving NZ. I'm also looking forward to playing in Las Vegas when Ross Royce go to the States. I'm really looking forward to all the tour dates actually, and playing to US crowds, it will be a great experience!!!

 
6. favourite drummers and/or bands and why?

Early early on, I swear I was the biggest Lars Ulrich (Metallica) fan, complete with life size Lars poster (shudder!). Until in my early teens when I discovered bands and drummers like Danny Carey of Tool, John Stanier of Helmet, Dave Grohl (for everything he does!) also Taylor Hawkins from Foo Fighters, John Bonham, this is a given! Herb Alexander of Primus, Matt Cameron- Soundgarden, just to name a few. All of these drummers have their own styles, but I love big sounding, percussive solid rock drummers, who play from the heart... does that sound cheesy? I sure you know what I mean :)
 
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