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Lesson 25 The Drag Tap Tap - Jared Falk

Lesson 25 is an interesting rudiment because the title doesn't appear to have a special meaning. Nobody seems to know why this drum rudiment is called "Lesson 25". It would seem more appropriate to call it "Drag Tap-Tap", or something else that is a little more relevant. With that said, it's still an important pattern that you should learn.

 

 

 

Here is how it is written out in drum notation:

 

 

 

This rudiment starts with a right handed drag followed by left and right handed singles. Then, this same pattern is played with opposite sticking (left hand lead). Put it all together, and you have lesson 25. Watch the video lesson above to see it demonstrated for you.

Lesson 25 - Drum Set Applications

Exercise two includes the lesson 25 rudiment being played within a drum beat:

 

 

 

Exercise three uses this rudiment within the context of a drum fill around the tom-toms:

 

 

 

http://www.freedrumlessons.com/drum-lessons/lesson-25.php

 

 

Learn To Play Bossa Nova Beats - Jared Falk

The Bossa Nova is one of Brazil's most popular forms of Latin music. It is one of the more simple grooves to play, however it is extremely effective. The Bossa Nova is usually played at slower tempos, and is eighth-note based. You will notice there is a standard "Bossa Nova" clave pattern played within this groove.

 

 

 

Bossa Nova Rhythms

 



 



 



 



 

 

 

 

 

 www.freedrumlessons.com

 

Created in Brazil in the late 1950s during a period of political change and economical growth, bossa nova has been often described as the music of the Brazilian middle and upper classes. This music style originated in the wealthy neighborhoods that sprouted along the beaches of the city of Rio de Janeiro and both its music and lyrics were composed by middle and upper-class musicians and marketed to the same economic group. For this reason, bossa nova was criticized by some for emphasizing a carefree way of living that little resembled the life of most Brazilians, the great majority of which belonged to the working class.

Indeed, bossa nova compositions often spoke of love, the beach, and beautiful women and seemed to be a depiction of the author’s bohemian life rather than a tale of Brazilians’ daily struggles as usually happened with samba, a music genre popular among the working class. “The Girl from Ipanema,” which became popular outside of Brazil both in its original Portuguese form and in translation, is a perfect example of the uncommitted quality of bossa nova songs. “The Girl from Ipanema” is nothing more than the composer’s description of a woman walking down towards the beach, the sweet way in which she moves and how beautiful she is, culminating with the author’s statement that she’s the most beautiful thing he’s ever seen go by. The music that accompanied the first wave of bossa nova lyrics, while unique, used the same altered chords found in jazz music combined with the drum beat characteristic of samba.

Perhaps ironically, bossa nova, the music style associated with complacence, is also considered responsible for the birth of the protest music of the 1960s that denounced the political uproar Brazil found itself in that led to the military coup of 1964. Critical of the insipid character of bossa nova lyrics and influenced by the precarious political and economic situation of Brazil, artists started using music to voice their opinions and as a vehicle to teach the largely uneducated Brazilian population about their country’s current social, political and economic status.

Following the coup of 1964, a new generation of bossa nova musicians emerged. The music they composed was radically different from that created by the first generation of bossa nova musicians and depicted the plight of the Brazilian population and denounced the country’s newly installed military government. In addition, this new type of bossa nova music had a nationalistic character that its predecessor lacked. This new wave of bossa nova musicians not only sang about the hardships of Brazilians, especially about the life in the drought-stricken northeastern region of the country; the music they composed to accompany their lyrics also made use of traditional Brazilian instruments and borrowed from other genres of Brazilian music like the type of samba heard in the urban slums. But in spite of the differences that distinguish them from one another, both styles of bossa nova were intrinsically linked to Brazil’s history and reflected the historic period in which they were created, one born during a time of growth and the other created in a time of struggle.

 

 

Benefits Of The Moeller Technique - Jared Falk

If you are a drummer looking to increase your speed, power, and control of your drumsticks, then you may want to look into the Moeller method. The Moeller method is a technique used on your sticks to maximize the control and speed of your drumsticks; ultimately improving your overall drumming. The Moeller method is a technique used by every professional drummer, so why not learn it yourself? Learning how to play the Moeller method is not actually that difficulty at all. Before you even start to learn the proper Moeller strokes, let me explain some of the benefits of the Moeller method.

Develop total control of your drumsticks
Whether you use the Moeller method for its full potential or not, learning how incorporate it into your everyday playing will help to develop a complete new feel and control for your drumsticks. With the Moeller method, you learn how to grip your drum sticks in ways never thought of before. These unique Moeller stick grips will enable you to get maximum bounce and control from your strokes. You will learn how to find the fulcrum point, or balancing point of the drum stick quick and easily. For a video lesson on finding the fulcrum point and proper stick grip, watch Mike Michalkow's lesson on how to hold your drumsticks. You can also read up about the different type of stick grips with this powerful article on drumstick grips. These reasons alone are enough to at least study the Moeller method at least a short while.

Increase your power on your drumsticks
Once you have discovered the proper way to hold your drumsticks, you will be able to get the next benefit from the Moeller method – drumstick power! The Moeller method teaches a number of strokes that use your wrists as a whipping motion to get a very powerful strike on the drums. This motion is fairly easy to maneuver; however you must get the proper style down first. With this technique, you will be able to get the most power out of your drumsticks with very little work at all. Learning the Moeller method will increase your overall dynamics on the drum set.

Double, or even triple your drumstick speed
Probably one of the biggest benefits you will see from the Moeller method is the increased speed on your drumsticks. The Moeller method teaches you how to use the rebound of your stick to control the amount of strokes you get from each hit. When you have the Moeller method mastered, you will be able to get anywhere from 2 to 6 (or more) strokes for each hit of the drum. You can only imagine how much faster you could drum with the ability to get 4 times the amount of strokes from your basic drum roll. In the end, you will be able to master each of the 40 essential drum rudiments with speed, power and control.

When you break it down, there are too many reasons to learn the Moeller method to just ignore it. It may be a change from your regular style of drumming, but once learned, you will notice an improvement immediately. Sometimes learning a new technique may seem to set you backwards in your drumming skills; however once you are comfortable with it your skill level will increase that much faster. So take the time to look into this technique that is growing rapidly in popularity in the drumming community!

http://www.freedrumlessons.com/articles/moeller-method.php

 

Essential Practice Tips - Jared Falk

Being a drummer is more than just a hobby; it is a lifestyle – one that takes a lot of commitment and diligence to succeed at. The payout; however, is immense. Being a drummer can be one of the most fulfilling things someone can do in their life. But how do you get to that level of musicianship? There is definitely a difference between a drummer who plays for a hobby, and a drummer who plays for a lifestyle. The big difference is attitude and practice habits. Having the self control and commitment to practice regularly is the only way you will improve as a drummer. There are a few tips that I have developed over the years of drumming that will help any drummer out immensely; tips that will speed up your learning curve and make practicing the drums a fun experience and not a chore. So read on to learn a few common practice tips developed to enhance your drumming.


Make Time to Practice and Time to Play

practice timeOne of the biggest errors a drummer can make is failing to make time for practice as well as time to jam. Believe it or not, there is a big difference here. Practice time is a chance to work on your stick control, drumming beats, skills, and other techniques that you may want to learn. Jam time is a chance to apply your newly learned skills to real applications. Most drummers allot a time to “practice / jam” and end up just playing to a few of their favorite bands. Now this is not a bad thing; however you never really get that focused practice time alone. So, my first tip is to schedule a time in your week to practice, and a time to jam. This way you can sit down and focus on developing your independence, speed, and control of your feet and sticks without getting distracted. For some great ideas on practicing the drums, check out the play-along section of FreeDrumLessons.com; there you will find tons of songs that you can download and take to your kit!


Use a Practice Pad

This is an obvious tip for drum practicing; however it goes a little deeper than that. When you practice, you should spend half of your time practicing on the full drum set. And the other half of the time on a practice pad. This is something that most drummers know to do, but rarely do it. The benefit to using a practice pad is you are forced to develop your stick control. When you play on a full drum set, you have a lot of distractions in front of you, making it easy to play around the kit instead of focusing on one technique. A pair of sticks, a metronome, and a practice pad is all you need to improve your speed, control and creativity on the drums. Not sure what to practice on a practice pad? Check out the drum rudiments section where you can practice your single stroke roll, double stroke roll, paradiddle and more!


Use a Pillow for a Practice PadPillow Practice


Following the practice pad tip is a small little tip that most drummers do not know about – using a pillow for a practice pad. Most drummers would never do this because there is little to no bounce from a pillow, it practically absorbs your full stroke; very inefficient. This is the whole point of using a pillow though, to force yourself to work that much more. When you get no bounce from the pad or drum, you are forced to use your wrists to bring the sticks back up. This really works your wrists out. Try playing a double stroke roll on a pillow, not as easy as you think!


Practice with a Metronome

MetronomeThis is another one of those obvious tips for practicing; however I cannot stress it enough! Practicing without a metronome can actually hinder your drumming, as you may learn how to play a drum fill or solo off time! We are drummers; our duty is to keep the band on time. If we cannot even play a solid drum beat or roll on time, then how are we supposed to lead a band? There are ways to add some creativity to this tip though, and that is by playing to your favorite band tracks. Most tunes recorded professionally are on time, so you can always play along to them instead of a click track. This way practice is a little less boring, being able to listen to your favorite songs while you practice. Just make sure you do not break tip number one and get distracted by the song!


Set a Goal for Each Practice Session


One tip most drummers fail to do is set goals for their practice sessions. This does not have to be an unreasonable goal, just a very basic reachable goal. Make it challenging and sensible at the same time. The reason for this is you are more focused on the time you are practicing. If you go into a practice session with no goals, then you will have no drive to learn anything! A very common goal I like to set is tempos in which I play my essential drum rudiments at. For example, I may set a goal to play a double stroke roll at 180 bpm one session, and 185 bpm the next. So as you can see, this is just to give yourself some guidelines for your time spent practicing.


Surround Yourself in Challenging Music

A really important tip I will share is to surround yourself in challenging music and drumming. If you want to learn how to play the double bass drum, then surround yourself in music that incorporates the double bass drum. The same goes for all styles of music; you will not learn jazz by listening to rock. When you are constantly listening to advanced beats and odd time signatures, you are sub-consciously implementing it into your brain. You will be challenged much more, and have a much greater creative edge this way. So try and find some music that challenges you a little.


Have Fun No Matter What


The last tip is another given – have fun no matter what you are playing. This means even if you are practicing boring rudiments, try and find a way to make it fun. If you are not having fun when you are playing, then you will not learn nearly as much. So play what you want to play, and practice what you want to practice! Drumming is supposed to be a way to express yourself in a good and positive way, so make sure you are having fun!

These tips are more like guidelines that every drummer should take into consideration when practicing. You will notice when you start following these guidelines, you will get much more out of your practice sessions!

 http://www.freedrumlessons.com/articles/practice-tips.php

 

 

Improve Your Jazz with Snare & Bass Drum Comping

This lesson includes six challenging beats that include both snare and bass drum comping. These grooves are sure to challenge your limb-independence, and take your jazz drumming to a new level. Work through them slowly at first, to ensure you are practicing them correctly, and then increase the speed as you become more. You can watch the video lesson for demonstrations of all of these beats.

You can also checkout a video of this at http://www.freedrumlessons.com/drum-lessons/snare-bass-drum-comping.php

 

 

 
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